At the concert in Seattle got Matt Chamberlain is one of today

Is just arrived tonight's hotel after the tour's best concert so far. How does it feel in the least. Who knows what's best and worst on tour. One is quite influenced by both the club, city, weather, wind, how tired you are, what happened yesterday, which inspired the game feels. Our experience on stage is very subjective and often have a lot of boring things like monitoring sound and natural things that the audience vibes to do. In the evening the audience was perfect; extremely responsive, lively and fit many. The club called The Crocodile has a somewhat historical flavor to it with Nirvana and REM later as associate band.
The first time I played in Seattle vue was at The Crocodile in 2003. Then I was too young to get in (feel with all both here in the United States and home who are not old enough to go the concert they will even - know how sucky it s) and had to stand on street in winter cold just before I was going on stage (did not even sustain me backstage - alcohol rules are very strict in Washington) and run right back out on the street immediately last encore was done. I remember being pissed over this and it helped make the concert vue extra good and intense. 10 years later I do not have thankfully such problems and this concert was probably many notches better and richer as well, considering that I am now playing songs from 7 albums, especially from the first four that immediately is out for the first time on vinyl.
They played live disc Bootlegs of the plant in a record store we visited in Chicago (bought Shantori Sakamoto "How To Live With A Phantom") and then it struck me that although vue the recording was made at Hulen in Bergen for only half a year since then songs already changed a lot. We are constantly in motion and that I need. Every night change vue something central ones. In Chicago felt particularly "Track You Down" vue inspired. Not sure where the songs on YouTube:
Soundman recorded the concert vue on 17 tracks but I'm not sure if I should dare to hear it. As a rule, it is not as fun to listen to a live recording to be there. Maybe best to live with the memories. Chicago felt really good.
Minneapolis did not feel as good as it tends. We competed with Bob Mould and St Vincent & David Byrne that night, so the club was not as full as it usually and people were chopped fuller than usual. We may not focused enough we. I need anyway just rely on that even the evenings I'm not super happy concert was on good enough level. There are those nights it helps to have played many concerts.
The last two days we have moved quite far in the distance and not so much purely physical. We have in fact run 30 hours on two days, from Minneapolis, through Montana, to Seattle. The scenery is magnificent and beautiful but they are pretty run of the head of sitting in the car so much. We have been heard on many records (Charlotte Gainsbourgs IRM is actually dødsgod). The running will be the DJ.
At the concert in Seattle got Matt Chamberlain is one of today's best known, used and gifted drummers. He's a buddy of my drummer Dave and played on the first two Fiona Apple plates (check out the drum solo on "Limp", among others. Brilliance.), As well as numerous other gold plates. I think Dave thought it was extra fun to play live with a drum guru of such repute in the audience. I think I dug it a little and I.
My new US-bassist and altmuliginstrumentalist Zac begins to settle and has steadily lower shoulders at concerts. In addition, he has several episodes each day where he is mysteriously transformed into movie actor Tim Curry. The whole thing is quite absurd, and the similarity is striking. Hard to relate the internal tournament humor in letter form, ironing lately. Or take a look at the illustration. Scary. (See photo gallery at the bottom of the article, editor.)
We played at a university in Michigan also recently. While I tried our best to play one of the songs the audience had been until just the concert vue on Facebook, walked a young boy in the front row down on his knees and proposed marriage to his girlfriend. She said yes thankfully, although I did my best to cast doubt on the situation with my somewhat questionable version of "Words & Music", which turned out to be the song "their". But if they can get through it so they can cope with most things.
There were also many music students at this university (sold unusually large numbers of songbook with notes to the songs on the first four discs there) and therefore we had been asked if we were willing to make a so-called Q & A afterwards vue with questions and discussion of the work. It was fun for me and Dave Lord man who likes to talk, and preferably about music and what we do. But it also felt a bit strange to do a concert and then take questions from the audience. Will probably not a staple. And while the most ardent fans think everything was of interest I noticed that it sapped a bit of patience to more casual fans to have to fake enthusiasm for my wordy incre