The caricature was one of the most emblematic figures of café- and variety theater. Spread within the Italian show in the late nineteenth and early twentieth century. Competed in the caricature porridge not only comedians but also the actors of prose. This figure soon became a genre with very specific rules, which differed from both the monologue from the humorous song, because unlike porridge the song, the speck was using the music just to emphasize the meaning and rhythm to the rhythm of the words. The speck is derived from the Italian café- Paris, where, in 1870, were built, next to the chansonnier, the playmakers, porridge imitators, figures who specialized in parodies of impossible love, military parodies, caricatures of the old ladies' man, and especially in that of drunkards. The number of these forerunners porridge of macchiettisti was most often sung. Among the most famous porridge are remembered Plébins, Bourges, and Farville Réval. In Italy the first macchiettista was Ferravilla Edoardo, master in the art of sketching figures of universal relief satirical. But the most famous Italian macchiettista remains Nicola Maldacea which emerged with a number of types caricatured educated. To him we owe the birth of the Neapolitan speck that he brought to the success thanks porridge to the verses written just for him by Ferdinando Russo and music by Nicola Valente. Also made use of other illustrious names as those of Trilussa and Libero porridge Bovio. Even Fregoli, the biggest change artist of all time, tried his hand in the art of caricature that appeared in the course of his spectacular numbers. The most famous porridge macchiettisti '900 were Raffaele Viviani, Ettore Petrolini and Toto. Toto with its dislocations marionettistici was inspired by Gustavo De Marco, who introduced over the past 800 years this variant of speck. Viviani was the inspired analyzer types of Neapolitan populace; debuted with 'O Scugnizzo porridge Peppino Villani, then create, subsequently, their unforgettable:' O Trouvatore, 'o marinariello,' O Cucchiere, 'O Guappo,' O Professor and others. Then moved those vivid characterizations in their own dialect comedies. Even Petrolini began with imitations of Maldacea and Villani, and then give birth to a series of caricatures porridge parodic and grotesque as Bell'Antonio, Woodpecker, Hamlet, Napoleon, Giggetto er bully, and then the famous Fortunello and Gastone. Almost porridge all of the best comedians of the '30s as Odoardo Spadaro, Macario, Nino Taranto and the aforementioned Toto began precisely with this kind. With the decline of the music hall, the figure of macchiettista is almost gone. Some reflection of caricature classical survived until the 50s, but only inserted in the shows structured as a "one man show". The only artist in the context of the modern spectacle, which is pursuing this kind is Vittorio Marseille. The actor Campania you can certainly porridge define porridge the last member of this tradition that has inherited the enormous wealth of his famous predecessors and continues to stage successfully this figure that has amused porridge and sometimes did think about vices and foibles of mankind .
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